She followed Sunday, with a children's book, "When I Grow Up", published in 2007. Her first book, a personal memoir on her first eight years entitled "Sunday", was published in 1998. Besides continuing her volunteer work in literacy, she has written several books. It has been her passion to help young students gain not only literary skills, but also confidence, self-determination and proof of their own potential. As a literacy and academic advocate, she became a volunteer teacher at Learning Leaders, a non-profit organization dedicated to providing tutoring to New York City school children. Tina is an active member of the Academy of Motion Picture Arts and Sciences and a lifetime member of the Actors Studio. The slot machines appeared in casinos from coast-to-coast as well as internationally. Consumer Products, when she inked a six-figure deal in exchange for 80 lines of voice-over work for a highly publicized gaming machine, a MegaJackpots product with the chance to win $1 million. A unique opportunity pursued Tina in 2005 with IGT (International Game Technology) in conjunction with Warner Bros. She has made numerous television appearances, from The Rosie O'Donnell Show (1996) to Entertainment Tonight (1981) and Access Hollywood (1996). In 2004 she received the coveted TVLand Pop Culture Icon Award in Los Angeles, which was aired nationally. ![]() Other film and television work followed, including Stephan Elliott Welcome to Woop Woop (1997) and Growing Down in Brooklyn (2000), and she guest-starred in the syndicated television series L.A. The film marked the debut of director Tom DiCillo, and won the 1992 Gold Leopard Award for Best Picture at the 44th International Film Festival at Lorcano, Switzerland. In 1991 Tina appeared in Johnny Suede (1991), in which she co-starred with Brad Pitt. Tina was cast as a regular on the first season of Dallas (1978) and has profuse credits in made-for-TV films for ABC and NBC, including Friendships, Secrets and Lies (1979), The Day the Women Got Even (1980), Look What's Happened to Rosemary's Baby (1976) and the famed ABC movie Nightmare in Badham County (1976). Moving among Broadway, television and motion pictures, she next starred in The Happy Ending (1969), directed by Richard Brooks, The Stepford Wives (1975) with Katherine Ross andĭog Day (1984), with Lee Marvin and French actress Miou-Miou. She continued her work in Hollywood, starring in the CBS sitcom Gilligan's Island (1964) as Ginger Grant. He influenced my life as no other man ever has." After several more films, Tina returned to Broadway to star with Carol Burnett in "Fade in, Fade Out". Lee Strasberg," says Tina, "had the most dynamic effect on me. It was at this point in her career that she began studying with Lee Strasberg and the Actors Studio in New York because she believed it was "time to develop and deepen my knowledge of the craft. Stellar reviews caught the attention of Hollywood and Tina signed up for her first feature film, God's Little Acre (1958), which was an entry in the Venice Film Festival. She began appearing in film with 1958’s God’s Little Acre and most recently appeared in 2017’s Tapestry with numerous roles in between.Born in New York City, Tina was still in her teens when she burst upon the national scene by starring on Broadway in the critically acclaimed box-office success "Li'l Abner", based on the famous comic strip character created by Al Capp. She made her debut on stage in 1952’s Two’s Company, which was followed by several other Broadway productions, including 1957’s Li’l Abner. Modeling following which, in turn, led to acting. ![]() At the age of 17 she began studying acting, singing and dancing at the Neighborhood Playhouse in Manhattan. Tina, who was born in New York City, began “acting” at the age of two when she appeared in an ad for her father’s candy store. ![]() Considering the state of everything these days, we should all be happy it’s still in reruns!” Well done television transports people into a fantasy and no matter what turmoil exists in the world, Gilligan’s Island has provided that escape in an enduring way. This sweet, silly show provided its fans with calm and joy in a frightening time and has continued to do so. Then we lost our beloved Martin Luther King and in a time of uncertainty, Gilligan’s Island represented this great escape. The Vietnam War was escalating and I think people really needed an escape. We were just past the Cuban Missile Crisis and the tragic assassination of President John F. “When we first aired,” she continues, “our country was in turmoil.
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